Billie is sitting on a navy blue wood-chipped bench and tea is dribbling from her mouth, little by little the entire contents of her forest green paper cup is falling into her lap and there is now a puddle of saliva infested tea soaking through her grey trousers. Her head is raised, poised in the air, watching the old man with the colour grey painted between his wrinkles. Billies eyes bore into his, following Point A to Point B of the sunken yellow valley below his eyes. There are sprinkles and sprinkles of tiny grey hairs resting above his lips; Billie does not know if it is the remnants of a moustache or if it has fallen from his nose.

Billie now stares at all of the man she can see in front her, looking beyond the grey portrait and drilling her eyes into his past life, the life that is living behind every orange white patch of skin, the life that his hidden behind his freckled forehead, behind his tired eyes. Billie closes her eyes for a long moment and creates a moving picture of his life: a man and a woman kissing, tongues drenched spit clinging to each other tightly. The woman is sighing, squeezing his back repeatedly and waiting for his arms to embrace her body – he does not and instead remains rooted to the ground, hands glued to his sides, only tongue moving.

The old man stands, he waits for only a moment and walks away from the navy blue wood-chipped bench. Billie sees the loneliness painted on the grey portrait and sighs, the old man’s past life still tiptoeing across her mind. She wonders who he is and who the girl was, she wonders if he ever did fully embrace her, fully move with her body, fully love her, fully kiss her. She wonders too much for a person who does not know the old man’s name. The forest green paper cup falls carelessly to floor and Billie begins to dab at the puddle of tea soaking through her grey trousers.